Which word from this excerpt could be used to argue that the narrator is unreliable?

Which word from this excerpt could be used to argue that the narrator is unreliable?

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Edgar Allen Poe is well-known for his gothic style and short stories (Gargano 2004: 823). In the United States, he was born in 1809 (Kennedy 19) and died in 1849. (Kennedy 58). He went to the army in the late 1820s (Kennedy 25) after studying languages at the University of Virginia (Kennedy 23) and began writing short stories in the 1830s (Kennedy 30).
Several scholars have looked into the narrator of “Black Cat.” Fisher, for example, is attempting to ascertain Poe’s motivation. His book examines a variety of short stories on a variety of subjects. He takes a psychological approach in “Black Cat” (Fisher 23). This emphasis is important to the work’s subject. Fisher’s review, on the other hand, is simplistic, since he assumes that the narrator is emotionally weak without making a detailed case (Fisher 24). Susan Amper and Harold Bloom do the most in-depth work. Various subjects are discussed, as well as methods for interpreting “Black Cat” and various approaches to comprehending the narrator (Amper and Bloom 148). That is to say, the tale could be viewed as supernatural, psychological, or skeptical (Amper and Bloom 147). (Amper and Bloom 148). Even so, the discussion might be more in-depth. As a result, the narrator’s psychological examination using a psychological test may be considered a desideratum. The main goal of this work is to close the distance by psychologically analyzing him. The narrator of “Black Cat” is a psychopath, according to this article.

Pov: point of view

Notes from Underground (pre-reform Russian: аиски и одол; post-reform Russian: аиски и одол, Zapski iz podpólya; also translated as Notes from the Underground or Letters from the Underworld) is a novel by Fyodor Dostoevsky published in 1864.

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It appears to be an excerpt from the rambling memoirs of an anonymous, angry, and lonely narrator (dubbed the Underground Man by critics) who is a former civil servant living in St. Petersburg. The Underground Man’s diary is used to tell the first part of the story, which criticizes contemporary Russian philosophy, especially Nikolay Chernyshevsky’s What Is to Be Done? [two] The “Apropos of the Wet Snow” section of the book describes events that seem to be killing and often renewing the underground man, who serves as a first-person, unreliable narrator and anti-hero. [three]
The narrator observes that while utopian society eliminates misery and pain, man wants and requires both in order to be content. He claims that eliminating pain and misery from society robs a man of his liberty. He claims that society’s cruelty causes people to complain about their misery only to pass it on to others.

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“True, I was and am nervous – very, very nervous; but why would you accuse me of being insane? My senses had been sharpened by the illness, not damaged or dulled by it.” (Poe, 1992, p. 92) These words open Edgar Allan Poe’s “The Tell-Tale Heart,” drawing the reader’s attention to the story’s central theme: the narrator’s mental state. Despite the narrator’s best efforts to persuade the reader that he is not insane until the end of the novel, his comments raise questions. The question is whether or not the narrator is trustworthy. The narrator’s manner of saying, behaving, and responding to real events strengthens the reader’s concerns about the narrator’s credibility and convinces them of the narrator’s unreliability.
The aim of this paper is to examine how the narrator’s unreliability is established. As a result, the paper will begin by examining how the narrator conveys his mental condition to the reader by pointing out his justifications for his sanity. Then, clues to the narrator’s unreliability are uncovered. Finally, the tension between realities is discussed briefly before a decision is drawn.

Narrator – definition, examples, and practice (video +

“A Rose for Emily” is a good story due to its intricately complex chronology as well as its unusual narrative point of view. The narrator, who uses “we” as if speaking for the entire town, is wrongly thought to be young, impressionable, and male by most critics; however, closer inspection shows that the narrator is not young and is never identified as male or female. Examining the sound of the lines spoken by this “we” individual, who changes his/her mind about Miss Emily at various points in the narration, helps to understand the narrator’s character.
Consider the story’s first line, which explains why the townspeople came to Miss Emily’s funeral: “… the men [went] through a sort of respectful love for a fallen monument.” Is the narrator implying that the town holds Miss Emily in high regard? Do the men have fond memories of her? What has Miss Emily achieved that has won her the title of “monument”? We wonder if the narrator can still feel affection for her after learning that she poisoned her boyfriend and then slept with his dead body for an undetermined number of years. And why does the narrator believe it is necessary to tell us about Miss Emily’s life?