Which point of view does this passage reveal?
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Fahrenheit 451 was written from a third-person narrow omniscient point of view, which means an impartial narrator has special access to one character’s thoughts and feelings. The narrator has access to Montag’s thoughts and emotions in this situation. Fahrenheit 451 develops a clear criticism of society by focusing the story from Montag’s perspective—both the society depicted in the novel and Bradbury’s own contemporary society. The reader can see how Montag’s challenges apply to social issues because of the critical point of view. As Montag attempts to recall the text of Ecclesiastes on the train but is unable to do so due to the noisy advertising for Denham’s Dentifrice, an indication of the similarity between Montag’s internal struggle and Bradbury’s social critique appears:
Trumpets blared in the background.
“Denham’s Dentifrice,” as the name suggests.
Montag thought to himself, “Shut up.” Take a look at the lilies of the field. Denham’s Dentrifice is a phrase that means “Denham’s Dentrifice.” They don’t toil—“Denham’s— “Take a look at the lilies of the field, shut up, shut up!”
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The third-person point of view is a form of narration in which a narrator uses third-person pronouns like “he,” “she,” and “they” to describe all of the action in their work. It’s the most famous point of view in literature.
There are two types of third-person point of view: omniscient, in which the narrator knows all of the characters’ thoughts and feelings, and minimal, in which the narrator only shares their own thoughts, feelings, and information about different circumstances and other characters.
New authors are always more at ease with a first-person viewpoint, perhaps because it is more familiar, but writing in the third person gives a writer much more flexibility in how they tell the story.
Since the story is told by an all-knowing narrator, the third-person omniscient point of view is the most impartial and trustworthy. This narrator generally has no prejudices or interests and is well-versed in all of the characters and situations. That makes it very simple to provide a plethora of supporting information about, well, everything.
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If the topic is the point of view of a work of fiction, an examination will include breaking down the point of view into its constituent components, observing how the point of view affects the plot, and assessing the point of view’s relationship with the story.
The point of view in a work of fiction decides what the reader knows about the plot’s events as well as how the reader may feel about them. The narrative is filtered from the storyteller’s point of view, which is the prism through which readers see the story.
Step three: Examine how the plot is affected by that specific point of view. Consider the tale from a particular perspective (from first to third person, or third person omniscient to third person neutral, etc.).
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The narrator in first person point of view is a character in the story who dictates events from their point of view using “I” or “we.” The reader takes on the role of the main character in second person, being addressed as “you” in the story and fully absorbed in the story. The narrator in third person point of view is separate from the plot and addresses the characters by name or as “he/she/they” and “him/her/them.” The narrator’s connection to the thoughts and emotions of any or all of the characters defines the different types of third person perspective.
When telling a novel, one of the most important things to consider is the story’s point of view. The narrator’s point of view decides who tells the story and how the narrator interacts with the characters. Depending on who is telling the story, it can have a very different tone.
First and third person are the most common points of view, with second person occurring less often but still being studied in writing classes. These words are often used to differentiate between personal pronouns. I and we are first-person pronouns that refer to one’s own self. The second-person pronoun, you, is used for both singular and plural antecedents and refers to the person who is being addressed. He, she, it, and they are third-person pronouns that refer to someone or something other than the speaker or the person being addressed. The types of pronouns used in a narrative are often used to classify it as first, second, or third person.