Remains of the day lunch box

Remains of the day lunch box

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I was out shopping for Bonnie, my mom. Mrs Pearl was in the same shop as me, and I bought the majority of her clothing! And it was just an accident, you know, we started talking about pantyhose, she was saying… whatever, that’s not the point of the story, the point is that through this unintentional encounter… it’s like a Hitchcock film where you’re thrown into a rubber bag and placed in the trunk of a car, you meet people. You track them down. Is it karma or something else? Perhaps. But the important thing is that we found him. Bonnie also received a lovely pantsuit from me.

Lunchbox – over way too soon (official)

Hold on if a mockumentary about the people of Blaine, Missouri, putting on a musical to mark the town’s 150th anniversary doesn’t pique your interest. Christopher Guest (guitarist Nigel Tufnel in This Is Spinal Tap) is an actor, producer, artist, and composer who packs a lot of laughs into a small box.
Guest plays Corky St. Clair, who returns to Blaine after a failed Broadway run, with bangs and a lisp that barely avoids gay caricature. He beats out music teacher Lloyd Miller for the job of directing Red, White, and Blaine (Bob Balaban). And it’s no surprise: Blaine was enthralled by Corky’s latest stage performance of Backdraft. He burned newspapers in the air vent, splattering hot ash on the audience so they could feel the sun.
Eugene Levy as a singing dentist and Catherine O’Hara and Fred Willard as greasepaint-loving travel agents are among Guest’s wicked cohorts, many of whom are familiar faces from SCTV. Parker Posey steals the show as a Dairy Queen doll who performs a sultry rendition of Doris Day’s “Teacher’s Pet.” The rest is far too ridiculously amusing to reveal. Just watching Corky flaunt memorabilia including My Dinner With Andre action figures and a Remains of the Day lunch box had me in tears. It’s priceless.

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Klara and the Light, Kazuo Ishiguro’s latest book, is now available for preorder*.
Never Let Me Go, the Nobel Award-winning author of Never Let Me Go, is also a Booker Prize recipient.
Kazuo Ishiguro’s stunning and haunting evocation of life in a Great English House between the wars, The Remains of the Day, is a contemporary classic.
Stevens, the aging butler of Darlington Hall, sets out on a leisurely vacation in the summer of 1956 that will take him deep into the English countryside and into his memory.
Stevens, the novel’s narrator, is a perfect English butler who seeks to offer his minimal life shape and sense through his profession’s self-effacing, almost mystical practice. Stevens is indifferent to the real life that goes on around him during his career, which spans the Second World War—oblivious, for example, to the fact that his aristocrat boss is a Nazi sympathizer. Even so, there are more important issues at stake in this tragic, beautifully written book, namely Stevens’ desire to bring some life-affirming love into his tightly repressed world.

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This is Kazuo Ishiguro’s intensely moving portrayal of Stevens, the ideal butler, and his vanishing, lonely world in postwar England. At the end of three decades of service at Darlington Hall, Stevens goes on a country drive to convince himself that he has served humanity by representing the “great gentleman,” Lord Darlington. However, questions about the true essence of Lord Darlington’s “greatness,” as well as even graver doubts about the nature of his own life, remain in his mind.