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9. The ensemble cast of Comet was designated Outstanding Broadway Chorus by the Actors Equity Association’s Advisory Committee on Chorus Affairs (ACCA). (According to the source) 10. It might not be obvious at first, but none of the words in Comet’s music rhyme. Malloy’s distinctive style can be credited to him alone, and it sounds nothing like anything seen on Broadway before. (According to the source) Click here to order a copy of Natasha, Pierre, and the Great Comet of 1812, and here to learn more about licensing a production.

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[three] The film premiered at the Austin Fantastic Fest on September 19, 2013, and stars Emily Baldoni as a woman who must deal with unusual events after a comet passes near by. [number four]
When a comet travels through California, eight friends reunite at a dinner party. Kevin asks Emily if she would like to join him on a business trip to Vietnam, but she declines. Laurie, Kevin’s ex-girlfriend, is also there, and she wants him back. There is a power outage. The hosts have some glow sticks that they use for lighting, and they go for the blue ones. Everyone goes outside to see if there is still electricity in one of the houses up the street. When they return inside, they discover a broken glass that they had overlooked previously. Hugh and Amir go to the other house to ask to use their cell, and they return with a box a few minutes later. They find a ping-pong paddle inside, as well as photos of themselves, including one taken that night and with numbers written on the back. Hugh believes he saw an eight-person dinner party set up at the other house. The friends find that the other house is a replica of their own. Emily jots down the numbers from the box on a notepad in search of a pattern, but they can’t find one.

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Natasha is a lovely ingénue who is in Moscow awaiting the return of her beloved fiancée Andrey from the battle. She is seduced by the dashing (but already married) Anatole in an indiscretion, and her social standing is ruined. Pierre, the lonely outsider whose love and compassion for Natasha may be the secret to her salvation… and the renewal of his own soul, is her only hope.
This “vibrant, thrillingly imagined new musical” (NY Times) is inspired by a 70-page excerpt from Tolstoy’s War and Peace, taking us inches from Tolstoy’s brash young lovers as they light up Moscow in a “heaven-sent fireball” (NY Times) of romance and passion.
Beginning July 11, Okieriete “Oak” Onaodowan (recently in Hamilton) will take over as Pierre.
The Imperial Theatre has been reimagined as an opulent Russian salon, with each seat offering a unique perspective and an unforgettable experience. Dave Malloy turned a part of the book into a libretto, which he set to his original score, which combines Russian folk and classical music with indie rock, electronica, and organ-influenced cadences.


Did the latest casting dispute help “Natasha, Pierre, and the Great Comet of 1812”? The musical was one of the few to see a substantial spike in ticket sales on Broadway in a week that saw most shows stay steady, with a few notable exceptions.
There are a few reasons why the price of “Great Comet” ($981,664) increased by 12 percent (over $100,000) last week. Following the failed recasting of Mandy Patinkin in one of the title roles, the show received a whirlwind of publicity, and all of the attention may have prompted fans to show up in support of Okieriete Onaodowan before he left the show on Aug. 13. Ingrid Michaelson, a musician, also left the cast on that day, adding to the upheaval. Then there’s the fact that the production’s closing date was announced last week, which may have prompted people to rush to the theatre.
According to one of the show’s producers, advance orders for the coming weeks were dreadful, which is why Patinkin was brought on board in the first place. It remains to be seen if the closing notice would help keep attendance up.